Here's the day you hoped would never come Don't feed me violence just run with me through rows of speeding cars. The papercuts the cheating lovers The coffee's never strong enough i know you think it's more than just bad luck
There there baby it's just text book stuff it's in the ABC of growing up Now now darling oh don't lose your head cause none of us were angels and you know I love you yeah
Sleeping pills know sleeping dogs lie never far enough away Glistening in the cold sweat of guilt I've watched you slowly winding down for years You can't keep on like this... now's a bad a time as any
There there baby it's just text book stuff it's in the ABC of growing up Now now darling oh don't kill yourself cause none of us were angels and you know I love you yeah
it's ok by me..
it's ok by me..
it's ok by me..it was a long time ago
it's ok by me..
it's ok by me..
it's ok by me..it was a long time ago
There there baby it's just text book stuff it's in the ABC of growing up Now now darling oh don't lose your head cause none of us were angels and you know I love you yeah
There there baby it's just text book stuff it's in the ABC of growing up Now now darling oh don't kill yourself cause none of us were angels and you know I love you yeah ................................... 轉貼: 許多樂迷說，Imogen Heap是超級美聲，但她和一般所認定的美聲，比如Enya或CelineDion這類，是有差異的。她有個人獨特的氣音唱法，與實聲交互層疊，產生出頗具立體感的魅力。《Speak For Yourself》是她27歲的錄音作品，但聽不出年紀的影響，在downtempo的曲風渲染下，仍如天使般的吟唱，教人入迷。
「Have You Got It in You」呈現「Lilith Fair」般的女性精神，如同以Tori Amos的情感詩置於electro-pop之內。 「Loose Ends」是我非常偏愛的簡約電子風，讓歌曲宛然有極輕脆的透明線條，但不失溫厚；我經常早上起床放這首歌，似乎聽了就可背書包出門。 「Clear The Area」有種加電的非洲音效，與詞意相貼。 「Daylight Robbery」多了些搖滾味，也表現了她唱腔的多樣性，而非僅靠輕媚取勝。 「I Am in Love with You」節奏的律動，令我興奮。 「Hide and Seek」像是無伴奏的唱腔演繹，以octave-splitter效果器讓唱腔編輯交織，製造無限的美感，舒緩行進間，可以觸摸到聲的光澤。突出地表達了她對聲音藝術的見地，真是優異的「聲音體操」大師。
